While Ferdinand’s formality is in some ways endearing, it is also in some ways disturbingly reminiscent of Prospero. Some of Ferdinand’s long speeches, especially the speech about Miranda’s virginity in Act IV, scene i, sound quite similar to the way Prospero speaks. Ferdinand is a sympathetic character, and his love for Miranda seems most genuine when he suddenly is able to break out of his verbose formality and show a strikingly simple interest in Miranda. The reader can see this when he asks Miranda, “What is your name?” (. 36 ). The reader notices it again in Act V, scene i when he jests with her over a game of chess, and when he tells his father, who asks whether Miranda is “the goddess that hath severed us, / And brought us together,” that “she is mortal” (. 190–191 ). Ferdinand agrees to marry Miranda in a scene in which he has been, like Caliban, hauling logs for Prospero. Unlike Caliban, however, Ferdinand has been carrying wood gladly, believing that he serves Miranda. The sweet humbleness implicit in this belief seems to shine through best at the times when Ferdinand lets go of his romantic language.
In Act 2 of The Tempest by William Shakespeare, there is a storm coming in and Trinculo, one of the men who were stranded on the island because of Prospero’s magic, is walking along a path and meets Caliban for the first time. “Alas the storm is come again. My best way is to creep under his gabardine” (-39, Trinculo) In the scene Trinculo decides to hide under Caliban’s cloak because he is the only thing that can protect him from the storm. Caliban was suppose to bring Prospero firewood but since the storm came thought he was delayed. Because of this he meets Stephano, another one of the men who were stranded on the island because of Prospero. Caliban begs to show him around the island and to serve him so he doesn’t have to serve Prospero anymore.
In Shakespeare's play, "The Tempest," an underlying theme of barbarism versus civilization appears. Shakespeare creates characters that exemplify symbols of nature or nurture. The symbolism of the characters is derived from their actions. These actions show Shakespeare's view of the uncivilized and the civilized, as well as help the reader develop his own opinion of each side. In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare's intent was to make Caliban a sympathetic character. During the first encounter, Caliban comes across very bestial and immoral. While approaching Caliban's cave, Prospero derogatorily says, "...[he] never/Yields us kind answer," meaning Caliban never answers respectfully. When Prospero reaches the cave, he calls to Caliban. Caliban abruptly responds, "There's wood enough within." His short, snappy reply and his odious tone, reveal the bitterness he feels from leading a servile life. Caliban's rudeness makes him seem like an unworthy and despicable slave. Also, Caliban displays an extreme anger toward Prospero. When Caliban is asked to come forth he speaks corruptly, "As wicked dew as e'er my mother brushed/With raven's feather from unwholesome fen/Drop on you both!...And blister you all o'er!" Caliban's attitude and disrespect is unfitting for a servant. However, his actions are justified. Until Prospero arrived on the island, Caliban was his own king. The island was left to him by his mother, Sycorax. Nevertheless, Prospero took charge of the isle and eventually enslaved Caliban. "...Thou strok'st me...I loved thee..." is part of a quote that illustrates Caliban's relationship with Prospero before he was his slave. Prospero comforted Caliban and gave him water and berries; he taught him how to speak, as well. During this time Caliban loved Prospero and showed him the features of the island, "The fresh springs, brine-pits, barren place and fertile..." Caliban regrets helping Prospero as he says towards the end of his speech, "Cursed be I that did so!" Caliban feels this way due to his imprisonment. However, Caliban was enslaved because he raped Prospero's daughter, Miranda. Rape appeals to the reader as a good cause for enslavement, but Shakespeare shows that Caliban deserves sympathy, instead of disgust. Caliban committed an illicit act that deserved punishment. However, he had not been nurtured by society and, therefore, did not know any better. It is his basic nature to do as he feels. He does not know the difference between right and wrong. The reader tends to feel sympathetic towards Caliban because he is punished and oppressed for conduct he could not control. Prospero