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A contrast or discrepancy between what is said and what is meant or between what happens and what is expected to happen in life and in literature. In verbal irony, characters say the opposite of what they mean. In irony of circumstance or situation, the opposite of what is expected occurs. In dramatic irony, a character speaks in ignorance of a situation or event known to the audience or to the other characters. Flannery O'Connor's short stories employ all these forms of irony, as does Poe's "Cask of Amontillado."
Others look towards social practices and argue that discursive truths influence the habits of people through social pressures, for instance by establishing norms and values of what is normal or appropriate (Link 2013). Such assumptions then spread through the way people interact, and ultimately inform the logic of institutions (such as prisons, or enterprises, or systems of international relations). Finally, discourse can be seen to have a cognitive dimension (Chilton 2004, Sperber 1996). In such an interpretation, discourse is the expressions of human thought, and consequently has its roots in the interaction between our minds and our physical and social environments. The key to discourse is then the cognitive experience with the world through flawed sensory organs, and the way human beings share these experiences through discourse.